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8+. Everyone must have their own ticket to enter. Under 16s must be accompanied and sat next to an adult who is 18+. Under 3s will not be admitted. Latecomers may not be admitted until a suitable break. You may not bring food or drink purchased elsewhere.

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He is one of the greatest entertainers of all time. Now, Michael Jackson’s unique and unparalleled artistry is heading to the West End in the multiple Tony Award®-winning musical MJ.

Everyone must have their own ticket to enter the theatre. Under 16s must be accompanied by and sat next to a ticketholder who is at least 18 years old. Under 3s will not be admitted. Latecomers may not be admitted until a suitable break in the performance

Ain’t Too Proud - LON [26469]

Ain’t Too Proud

The Prince Edward Theatre opened in 1930, and was named after the then Prince of Wales, who went on to become Edward VIII. In 1978, Andrew Lloyd Webber and Tim Rice’s new musical, *Evita*, made a star of its leading lady, Elaine Paige. Paige then starred in *Chess* and *Anything Goes*, both at the Prince Edward Theatre.

The building was completely refurbished in 1992. Bernard Delfont and Cameron Mackintosh now owned the theatre, and spent over £3 million on remodelling the auditorium, improving the acoustics and increasing the size of the stage. The new Prince Edward Theatre was unveiled in March 1993 with the opening of *Crazy for You*, a Gershwin musical transferring from Broadway.

Delfont Mackintosh Theatres Ltd. continue to renovate the theatre between productions, making the faceight-yearemplary and one of the most desirable spaces in the West End.

## Prince Edward Theatre Seating Information

The auditorium has three levels – the Stalls, Dress Circle and Grand Circle. In the Stalls, patrons will find excellent legroom throughout, and a gentle rake throughout the auditorium allows for excellent views. 

The Dress Circle does not offer the same level of legroom, but again offers great views. The last five rows will have their view obstructed by the overhang of the, Grand Circle. 

The Dress Circle loges are a unique feature to this theatre — they take on the form of individual, tiered boxes but with a direct view of the stage rather than the side-on view usually associated with box seats. 

The Grand Circle offers excellent sightlines as the seats are fairly steeply raked.

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I entered the Hamilton Lottery for £10 tickets on @TodayTix! Tap here to enter: https://www.todaytix.com/london/shows/20561?share=enter

Hamilton [20561] - LON 

Genre: Musical (US and AUS)

Reuben Joseph as Hamilton, Waylon Jacobs, Jake Halsey-Jones and Emile Ruddock and Company. Photo by Danny Kaan

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Reuben Joseph as Hamilton and Company. Photo by Danny Kaan (2)

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Shan Ako as Eliza Hamilton, Allyson Ava Brown as Angelica Schuyler, Roshani Abbey as Peggy Schuyler. Photo by Danny Kaan

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Simon-Anthony Rhoden as Aaron Burr and Company. Photo by Danny Kaan

HAM4

Trevor Dion Nicholas as George Washington and Company. Photo by Danny Kaan

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Joel Montague as King George III. Photo by Danny Kaan

Hamilton

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After causing a sensation on Broadway, the musical theatre phenomenon *Hamilton* finds a London home at the Victoria Palace Theatre. Lin-Manuel Miranda's unlikely hit features a mash-up of hip-hop, R&B, and soul songs to tell the story of the American founding father. *Hamilton* tickets are available on London Theatre now.

As the title suggests, the musical centres on the life of Alexander Hamilton, who was orphaned and moved to New York in hope of a better life. While there, the smart up-start impressed with his hunger for revolution and reform, to take the United States away from British forces. The story sees Hamilton become George Washington's right-hand-man, fall in love, and go on to become the first Secretary of the Treasury of the United States.

The seeds for the *Hamilton* musical were planted when composer Lin-Manuel Miranda was taking a well-earned break from starring in another of his hit musicals, *In the Heights*. At the airport, he purchased a copy of Ron Chernow's biography, *Alexander Hamilton.* Within a few pages, Miranda started to envision the revolutionary's life in musical form.

Miranda embarked on the project in 2009 by penning *The Hamilton Mixtape* — a number of songs that would later go on to form the show. During this time, he was invited to the White House to perform at an evening of Poetry, Music, and Spoken Word in front of President Barack Obama and the First Lady. He treated audiences to a snippet from the show he was working on, the song "Alexander Hamilton", which was met with scattered laughter from the crowd.

After workshopping the mixtape, *Hamilton* finally received its Off-Broadway premiere at the Public Theater in 2015, before later transferring to Broadway at the Richard Rodgers Theatre (incidentally, where *In The Heights* had its Broadway premiere). 

The musical won the 2016 Pulitzer Prize for Drama, making it the first musical to win the award since 2010 and the 9th musical to win the accolade since 1930.

### Who wrote *Hamilton the Musical*?

Lin-Manuel Miranda wrote the *Hamilton* musical. His *Hamilton* score features a fusion of emotive songs that combine hip-hop, R&B, soul, and classical musical theatre numbers, while the musical is entirely sung-through by its cast. Since its premiere, *Hamilton* shot into the public consciousness. It won 11 Tony Awards including Outstanding Musical and all four acting categories.

London welcomed the West End production of *Hamilton* in 2017 at the newly refurbished Victoria Palace Theatre. The musical won a record-equalling seven Olivier Awards, including Best Musical and Outstanding Achievement in Music. *Hamilton* in London has well and truly found a second home. 

Tickets to *Hamilton* are available now. Book your *Hamilton* tickets on London Theatre today.

Hamilton - LON - London Theatre

Buy Hamilton (London) tickets showing at the Victoria Palace Theatre. Choose your own seats with the best availability at LondonTheatre.co.uk.

Who was the ten dollar Founding Father? Lin-Manuel Miranda's Pulitzer-winning musical reveals all. The multi-award-winning *Hamilton* brings American history to life through a rap and hip-hop soundtrack. Do not throw away your shot. Get *Hamilton* tickets at the Victoria Palace Theatre today.

The *Hamilton* musical, based on the life of Founding Father Alexander Hamilton continues to take the world by storm. The epic sung-through musical details the life of the first Secretary of the Treasury in exquisite fashion and you’ll be humming the songs for days on end. 

If you’ve never read about the American Revolution and the founding of the United States, buckle up for a musical history lesson you’ll never forget. Throughout *Hamilton*, you’ll meet all the important players including George Washington, Thomas Jefferson, and James Madison as they create a government and country. Not everyone is best pleased though, with King George III making appearances for a hilarious British vs. American rivalry.

The *Hamilton* musical is a 21st-century cultural phenomenon. Its creator, Lin-Manuel Miranda was catapulted to superstardom after playing the title role on Broadway. It’s also made stars of its original West End cast too, including Giles Terera and Jamael Westman. So go back in time to 18th-century America and witness the musical theatre marvel that is *Hamilton* in London. 

## What to Watch For:

- Most people know that *Hamilton* is a biographical musical detailing the life of the Founding Father. But, creating a musical based on one man isn't easy. So where did Lin-Manuel Miranda get his inspiration from? While on holiday, Lin-Manuel Miranda read Ron Chernow’s biography about the revolutionary, and early ideas for *Hamilton* were born.
- Lin-Manuel Miranda gave a work-in-progress performance of the opening song “Alexander Hamilton” at the White House in 2009 for President Barack Obama. The number would eventually become the show’s opening song. Since then, the original Broadway *Hamilton* cast performed at the White House.
- Miranda isn't a one-trick pony. His other musicals include *In The Heights* and *Bring It On*, and he's also worked on films such as *Moana* and *Encanto.*
- In London, *Hamilton* won seven Olivier Awards from 13 nominations. Currently, it equals the record for most Oliviers won by a musical, tied with *Matilda the Musical*. 
- The *Hamilton* musical features traditional musical theatre songs, but there's plenty of rap too. The rap song “Guns and Ships” performed by the character, Marquis de Lafayette breaks records as the fastest song in any musical. There's an average of 6.3 words per second in the song. That's fast!

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Buy tickets for Hamilton at the Victoria Palace Theatre in London. Find official theatre tickets to Musicals with Box Office.

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What's left to be said about <a href="/show/hamilton">Hamilton</a>&nbsp;that's not already been said? One of the central questions the show asks is precisely who the storytellers are of our personal and collective histories: "Who Lives, Who Dies, Who Tells Your Story", as the final number asks of the life story the show has just relayed and replayed of Alexander Hamilton, one of the key players in defining and refining the American constitution. By the same token, who is now telling the stories about the show it comes from? And can and should you believe them, as it has become probably the most hyped Broadway import of the century so far?<a href="https://www.londontheatre.co.uk/theatre-news/interviews/ben-brantley-chief-theatre-critic-of-the-new-york-times">Ben Brantley</a>, chief theatre critic of the New York Times, declared in the opening sentence <a href="https://www.nytimes.com/2015/08/07/theater/review-hamilton-young-rebels-changing-history-and-theater.html" target="_blank">of his review when the show transferred to Broadway</a> from Off-Broadway's Public Theatre in the summer of 2015, "Yes, it really is that good." He added, "I am loath to tell people to mortgage their houses and lease their children to acquire tickets to a hit Broadway show. But <a href="/show/hamilton">Hamilton</a>&nbsp;might just about be worth it — at least to anyone who wants proof that the American musical is not only surviving but also evolving in ways that should allow it to thrive and transmogrify in years to come."And now the show has arrived in London - its first appearance on non-US territory - and it's even more thrilling than I - already an avid fan who has seen it four times in New York - could hope for. Just as <a href="/show/les-miserables">Les Miserables</a> has proved to be a universal story, stretching far beyond its deeply etched story of revenge, retribution and revolution to speak to a human need for healing and forgiveness, so <a href="/show/hamilton">Hamilton</a>&nbsp;captures the heartbeat and heartbreak of a nation trying to find itself - and relates it directly to a pursuit it is still engaged in trying to define anew today, maybe especially today, in the age of the 45th President Donald Trump. "Immigrants, we get the job done" is a line that gets the biggest cheer of the night - and it's just as relevant in Brexit England as it is in Trump's America right now.<img alt="Hamilton" height="242" src="https://images.ctfassets.net/6pezt69ih962/2U7dHaF9bQVbP4LPUzkUFC/50132f06eb581a00608e97cd39438dba/Jason_Pennycooke__Thomas_Jefferson__with_West_End_cast_of_Hamilton_-_Photo_Credit_Matthew_Murphy_preview.jpg" style="float:right" width="362" />"I'm just like my country, I'm young, scrappy and hungry, and I am not throwing away my shot," sings <a href="/show/hamilton">Hamilton</a>, and the show - composed and written by <a href="/theatre-news/interviews/interview-with-hamiltons-lin-manuel-miranda">Lin-Manuel Miranda</a>, who also originally played the title role - is equally young, scrappy and hungry, and determined not to throw away its shot.There's absolutely no chance of that happening in the dynamic, propulsive staging of director Thomas Kail and choreographer Andy Blankenbuehler, or the extraordinarily talented British cast assembled to perform it here.This show may be about history, but it also makes history itself: not just in the freshness and vivacity of its rap-based score that could come from the charts today, but also in the colour-blind diversity of its cast. Recent RADA graduate Jamael Westman is a riveting presence in the title role, with Rachelle Ann Go (most recently as star of Miss Saigon in the West End and on Broadway) vocally thrilling as Hamilton's wife Eliza. There are also scene-stealing, hilarious performances from Michael Jibson as King George and Jason Pennycooke as the Marquis de Lafayette, with robust performances, too, from Giles Terera as Aaron Burr, Tarinn Calendar as James Madison and Obioma Ugoala as George Washington.But it's also impossible to take your eyes off the amazing dance ensemble who move with utter fluidity.And if it's not enough to give the show a rave review, a separate one is also due to the <a href="/theatres/victoria-palace-theatre">Victoria Palace</a> - the theatre has been given a stunning make-over for <a href="/show/hamilton">Hamilton</a>'s arrival that has seen it almost entirely gutted and remodelled, with new box seating at the rear of the stalls and dress circles and extensive new public areas in a new extension that has added bars and toilets at every level.Both the show and the theatre are here to stay.<hr /><a href="/show/hamilton">Hamilton</a> is booking at the <a href="/theatres/victoria-palace-theatre">Victoria Palace Theatre</a>.<a href="/show/hamilton">Hamilton tickets</a> are available now.&nbsp;&nbsp;<hr /><h3>What the popular press said...</h3>"In the end, however, the power of Hamilton lies in its ability to make the past seem vividly present. It suggests its subject was an Icarus who flew too close to the sun. But it also shows that he was an outsider who believed in strong central government and an enlightened capitalism. Above all, Miranda has created an invigorating and original musical that, at a time of national crisis, celebrates America's overwhelming debt to the immigrant." Michael Billington, <a href="https://www.theguardian.com/stage/2017/dec/21/hamilton-review-musical-london-victoria-palace-lin-manuel-miranda?CMP=twt_gu">The Guardian</a>&nbsp;(five stars)"This musical is history in the re-making and I mean that quite literally." Ann&nbsp;Treneman, <a href="https://www.thetimes.co.uk/edition/news/theatre-review-hamilton-at-victoria-palace-sw1-xdshn0nhs">The Times</a> (five stars)"Whether or not Hamilton&nbsp;is the best musical of our generation - it clearly is, but whatever - it's been a hit for the only reason anything is a hit: because it is a great work of entertainment." Andrzej Łukowski, <a href="https://www.timeout.com/london/theatre/hamilton">Time Out</a> (five stars)"Reviewing it feels like sizing up the Mona Lisa or Beethoven's Fifth and, in truth, Hamilton&nbsp;lands on the London stage looking every inch the classic." Matt Trueman, <a href="http://variety.com/2017/legit/reviews/hamilton-review-london-west-end-1202647480/">Variety</a>&nbsp;""The Greatest Show on Earth", one paper declared the other day. C'mon! But seriously folks, there's going to be more where that came from, because - lock up your doubters: I have to report that it really is as good as we've been told." Dominic Cavendish, <a href="http://www.telegraph.co.uk/theatre/what-to-see/hamilton-west-end-review-believe-every-single-word-hype/?WT.mc_id=tmg_share_tw">The Telegraph</a> (five stars)"Hamilton is a touchstone. It's zeitgeist, youthquake, Momentum, it's woke, it's post-musical. From masculinity, power struggles and the small things on earth, it metastasises into a crying epic about legacy, principle, nations, all the incredible mongrel people within those nations, and how all those people - every single one - can change the world." Tim Bano, <a href="https://www.thestage.co.uk/reviews/2017/hamilton-review-victoria-palace-lin-manuel-miranda-theatre-london/">The Stage</a> (five stars)"Hamilton is a knockout, and its British cast is superb, with two star-making performances from Giles Terera and, in the title role, magnetic newcomer Jamael Westman." Henry Hitchings, <a href="https://www.standard.co.uk/go/london/theatre/hamilton-review-believe-the-hype-linmanuel-mirandas-musical-is-a-knockout-a3725301.html">Evening Standard</a> (five stars)"This has been the most frenziedly anticipated musical in London since The Book of Mormon and the implacable publicity blitz might lead even the most mildly rebellious soul to wonder if anything could possibly live up to this degree of hype. I'm delighted to report that, for the most part, Hamilton manages to do so - quite exhilaratingly..." Paul Taylor, <a href="http://www.independent.co.uk/arts-entertainment/theatre-dance/reviews/hamilton-victoria-palace-theatre-london-review-a-magnificent-achievement-thomas-kail-the-book-of-a8122091.html">the Independent</a> (five stars)

Review - Hamilton is 'here to stay' at the Victoria Palace Theatre

Hamilton in London

The multi award-winning West End production of HAMILTON is now playing at London’s Victoria Palace Theatre.

HAMILTON is the story of America’s Founding Father Alexander Hamilton, an immigrant from the West Indies who became George Washington’s right-hand man during the Revolutionary War and helped shape the very foundations of the America we know today. The score blends hip-hop, jazz, blues, rap, R&B and Broadway – the story of America then, as told by America now.

HAMILTON is the winner of 11 Tony Awards including Best Musical, 7 Olivier Awards, the 2016 Pulitzer Prize for Drama and the 2016 Grammy Award for Best Musical Theater Album.

Read our five-star review of *Hamilton* at the Victoria Palace Theatre. This review refers to the original cast, including Jamael Westman and Giles Terera.

The Victoria Palace Theatre opened on 6 Nov. 1911. In 1934, a production of Rev. Walter Reynolds’ *Young England* played here and was so badly reviewed that it enjoyed a cult success, playing 278 performances to full houses. 

Lupino Lane starred in a production of *Me and My Girl* in 1937 which enjoyed success and led to Lane managing the theatre through the end of World War II, starting in early 1945 with a series of variety acts.

In the 1980s, the theatre began its association with musical theatre. Proving to be a long-runner for the venue, *Buddy – The Buddy Holly Story* opened in 1989 and later transferred to the [Novello Theatre](https://www.londontheatre.co.uk/theatres/novello-theatre) in 1995. 

Successful productions of *Jolson*, starring Brian Conley, *Annie* and *Kiss Me, Kate* have resided in the theatre since, but it was the 2005 arrival of a very British musical that saw the theatre packed for 11 years – *[Billy Elliot The Musical](https://www.londontheatre.co.uk/show/billy-elliot)*. The show opened to rave reviews in May 2005, winning four Olivier Awards, and went on to win 10 Tony Awards in its Broadway transfer in 2009.

It was announced in May 2014 that Sir Cameron Mackintosh would buy the theatre through his company Delfont Mackintosh Theatres. Mackintosh closed the theatre in 2016 for an extensive renovation, and the theatre re-opened a year later with [*Hamilton*](https://www.londontheatre.co.uk/show/hamilton).

## Where is *Hamilton* in London?

*Hamilton* is at the Victoria Palace Theatre in London. The Victoria Palace Theatre is located in Victoria. It's close to the Apollo Victoria Theatre and The Other Palace.

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Suitability: 6+. Under 4yo will not be admitted. Under 16s must be accompanied by an adult aged 18+.  Every customer must have their own ticket. To ensure everyone enjoys the show, little ones need to be able to sit in their own seat without any help.

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Frozen the Musical - LON [23585]

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Frozen the Musical 

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For the first time in forever, Disney’s *Frozen* comes to the West End. Book London Theatre Week *Frozen* tickets in London on TodayTix.

With your *Frozen* tickets, you’re cordially invited to the coronation day for Elsa, the new Queen of Arendelle. The reception should be warm, the company welcoming, and the future of Arendelle should be bright. But Elsa’s hiding an icy secret from her people that would send a cold shiver down anyone’s spine. 

Since childhood, Elsa’s had the ability to turn anything she touches into ice, freezing them in time forevermore. Luckily, Elsa’s powers haven’t affected her life too much, but when she storms away at her public coronation and accidentally freezes Arendelle over, she finds herself isolated. Can this snow queen “Let It Go” and open up her heart to realise she’s not a “Monster” after all?

Since the 2013 Disney film was released, *Frozen* has become a cultural phenomenon. The Academy Award-winning movie is one of the highest-grossing animated films of all time, with its message of sisterhood and acceptance celebrated by audiences of all ages. 

## What to Watch For:

- Disney’s *Frozen* features a score by husband and wife team Kristen Anderson-Lopez and Robert Lopez. The show features all the big-hitters from the Frozen movie including “Love is an Open Door” and “For the First Time in Forever.” You can look forward to original Frozen songs that only feature in the musical adaptation, including “Hygge” and “Monster.” 
- *Frozen* is inspired by Hans Christian Andersen’s *The Snow Queen.* Other Disney movies have been influenced by Andersen’s stories, such as *The Little Mermaid* and *The Emperor’s New Groove*.
- The production’s show art was created by London-based artist Olly Moss. Moss’ design was selected from over 100 entrants. 

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Exclusive £25 theatre tickets available for Frozen the Musical on TodayTix. Disney's spectacular staging of the hit movie will thaw any frozen heart.

Frozen the Musical Tickets | London | TodayTix

Let the storm rage on! *Frozen* transports audiences to the icy world of Arendelle via [Theatre Royal Drury Lane](https://www.londontheatre.co.uk/theatres/theatre-royal-drury-lane). *Frozen* tickets are available on London Theatre now. 

*Frozen* was first released in cinemas in winter 2013, and quickly became a global phenomenon. Not only is *Frozen* the highest-grossing animated film of all time, the film won 37 awards, including two Academy Awards for Best Animated Feature and Best Original Song for Elsa’s show-stealing number “Let It Go”.

The *Frozen* story is based on Hans Christian Andersen's *The Snow Queen.* The original Disney *Frozen* film is now a musical, and it's packed with more songs, storytelling, and plenty of snowflakes. 

See the wintry tale of sisters Elsa and Anna come to life in the *Frozen* musical, complete with songs written by husband and wife duo Robert Lopez and Kristen Anderson-Lopez. Enjoy the film classics such as “Do You Want To Build a Snowman?”, “The First Time in Forever” and “Let it Go”. There’s also new songs written for *Frozen* on stage, including “Hygge” and “Colder By the Minute”.

### What is *Frozen* about?

The *Frozen* musical is set in the fictional kingdom of Arendelle. Audiences meet sisters Elsa and Anna before Elsa’s coronation day. Elsa possesses an ability to make anything she touches turn to ice and freeze, and she’s managed to hide this. Now she’s crowned queen, Elsa is fearful of her own magic powers. 

Concerned with her abilities, Elsa runs away from the kingdom, resulting in Anna setting off to find Elsa in her newly-built castle. Along the way, Anna meets Kristoff and his reindeer Sven, as well as Olaf, a lovable snowman.

### How long is *Frozen*?

The *Frozen* musical runs for 2 hours and 15 minutes, including a 15-minute interval. Matinee performances begin at 1:00pm or 2:00pm and evening performances begin at 5:30pm or 7:00pm.

Tickets to *Frozen* are available now. Book your *Frozen* tickets on London Theatre today.

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Book theatre tickets for Frozen the Musical in London's West End. Let the storm rage on and transport you to the icy world of Arendelle.

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Do you wanna build a snowman? The global phenomenon hits the West End, bringing all your favourite characters to life. Telling the now iconic story of two sisters who must save their kingdom and their love for one another, the musical contains all-new songs by award-winning duo Robert Lopez and Kristin Anderson-Lopez. Experience *Frozen the Musical* — book your tickets at Theatre Royal Drury Lane today. 

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Buy tickets for Frozen the Musical at the Theatre Royal Drury Lane in London. Find official theatre tickets to Musicals with Box Office.

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Elsa must feel at home in London, where the weather can turn faster than you can say "let it go." After a blustery and blue summer (Elsa, is that you?), the sun emerged for the first 30-degree day in months on the press night for <a href="/show/frozen">Frozen</a>, a winning sign for a bright new Disney musical in the West End.&nbsp;The legendary ice queen likely feels at home in the completely redone <a href="https://www.londontheatre.co.uk/theatres/theatre-royal-drury-lane">Theatre Royal Drury Lane</a>, which feels positively palatial with vaulted ceilings, detailed frescos, and golden accents. All it takes for a journey to the kingdom of Arendelle is a step inside its doors, or rather, gates.&nbsp;Add to that an expanded and updated story and additional music and magic, and Frozen seems to have found its ideal home in the West End, where it deserves to stay for many years to come.&nbsp;The Disney classic won the hearts of children all over the world for its story about two princesses torn apart by tragedy and yearning to reconnect, but the story's staying power rests with the adults in the room, who are drawn to the powerful message of sisterhood and embracing your true self. Spoiler alert: You don't need a prince to save the day.&nbsp;Director Michael Grandage's production leans more into the gravity of the story, and the stakes feel much higher. Whereas that tone felt somewhat limiting in the Broadway premiere, the musical has more room to breathe here and plays grander.&nbsp;Although very little in Jennifer Lee's tight book has been changed from her original screenplay, there's something about watching two young children separated by a terrible accident who then lose their parents and are forced to live in isolation that hits a little harder onstage, especially after the year we've had. &nbsp;Grandage's storied background in Shakespeare and opera have helped create a spectacle on a new level ​​— the effects are bigger, the jokes land harder, and the emotions are heightened. Along with choreographer Rob Ashford, Grandage has created a series of tableaus through dance and movement that keep the show pulsating and coursing.The entire affair is much bigger than its initial Broadway outing, which felt more intimate. While the production featured some gorgeous performances and interesting storytelling, Grandage has scaled up his initial work enormously, with the addition of new set pieces, songs, and of course, magic. (Jeremy Chernick's special effects and Finn Ross's projections are pure delight.) You truly feel like you're on an epic journey.All of Robert Lopez and Kristen Andersen-Lopez's songs from the film are here, along with an expanded catalogue that allow characters like Prince Hans (a smarmy Oliver Ormson) and Kristoff (a loveable Obioma Ugoala) a little more back story and development. The new music particularly benefits Elsa, who only really has one number (albeit the biggest one) in the film and spends most of her time off screen in an ice castle. Here, her internal struggle blossoms in two new ballads, one before her coronation and a second act belter. Elsa comes to life in a new way (and now parents have two new songs to add to the Frozen rotation.)There's also a new duet for the sisters, where they actually sing together instead of through a closed door about a snowman. Their connection is the central love story here, so it feels imperative to explore that relationship through song. This number, "I Can't Lose You," has been added since the show's Broadway premiere and really levels up the storytelling.&nbsp;And with Samantha Barks and Stephanie McKeon, that story is in excellent hands. Barks's Elsa is serious and scared, and you can see every emotion travel across her face and through her body as she seems to haunt the stage. And of course, she nails the prerequisite for the role by hitting every note and riff in "Let It Go," not to mention the expert magical costume change into one of designer Christopher Oram's fairytale fever dream gowns.&nbsp;McKeon possesses effervescent bubbly, goofball energy, and her Anna revels in physical comedy and one-liners, a fitting foil for Barks's more grounded Elsa. The yin and yang energy is what makes their familial chemistry sizzle. The other leads round out the company nicely, and Craig Gallivan's Olaf is a true crowd pleaser and Mikayla Jade and Ashley Birchall make puppetry magic, courtesy of designer Michael Curry, with Sven.&nbsp;There's even great dimension to secondary roles like the Duke of Weselton, courtesy of a comedic and lively Richard Frame. At the performance I attended, Asanda Abbie Masike and Tilly-Raye Bayer stole the show as Young Anna and Young Elsa.&nbsp;The weather certainly blessed London and Frozen's West End opening, and after what feels like a veritable ice storm of a year (or two), not unlike the "surprise summer blizzard" that overtakes Arendelle, it's nice to remember that the gates will open, the sun will shine on, and we'll stand in the light of day again.&nbsp;<a href="/show/frozen">Frozen is at Theatre Royal Drury Lane. Book Frozen tickets on LondonTheatre.co.uk.</a>Photo credit: Samantha Barks and Stephanie McKeon in Frozen (Photo by Johan Persson)

'Frozen' review - a magical spectacle full of humour and heart

Photo credit: Samantha Barks and Stephanie McKeon in Frozen (Photo by Johan Persson)

The Theatre Royal Drury Lane opened on 10 Oct. 1812. However, this was not the first theatre on this site – there have been four theatres at this location since 1663. 

Rodgers and Hammerstein musicals played in succession from 1947 starting with *Oklahoma!*, *Carousel* in 1950, *South Pacific* in 1951 and *The King and I* closed the series with a three year run ending in 1956. 

The transfer of musicals from Broadway continued in 1958 with Lerner and Loewe’s *My Fair Lady*, starring Julie Andrews and Rex Harrison. The writing duo followed this up in 1964 with their next musical, *Camelot*.

Another three-year tPrize-winningransfer danced its way into Drury Lane in July 1976 - the Pulitzer Prize winning *A Chorus Line* came to London with its original Broadway cast and played for almost three years. Stephen Sondheim’s *Sweeney Todd – The Demon Barber of Fleet Street* also made the move across the pond in 1980.

It was the arrival of the tap-dance heavy *42nd Street* in 1984 that saw the theatre packed and reignited the flame for long-running shows. The show played for five years, before *Miss Saigon* moved in and played over 4,000 performances over a decade. 

Recent musicals at Theatre Royal Drury Lane include *[Charlie and the Chocolate Factory](https://www.londontheatre.co.uk/show/charlie-and-the-chocolate-factory)* and an acclaimed revival of *[42nd Street](https://www.londontheatre.co.uk/show/42nd-street)*. After two years of refurbishment, the Theatre Royal Drury Lane reopened in 2021 with the West End premiere of *[Frozen](https://www.londontheatre.co.uk/show/frozen)*.

## Theatre Royal Drury Lane Seating Information

The auditorium has four levels – Stalls, Royal Circle, Grand Circle and Balcony. 

The Stalls do offer great views of the stage and the legroom is very good.

In the Royal Circle, the view of the stage is affected from Row H onwards by the overhang of the Grand Circle. The seats do feel quite set back from the stage, but the view is generally very good.

The Upper Circle feels relatively close to the stage for its height and views from this level of the theatre are surprisingly good.

The Balcony is set very high up and although a strong rake helps to give good sightlines to the stage many people have suffered from vertigo at this level.

## Where is *Frozen* in London?

*Frozen* is at Theatre Royal Drury Lane in London. Theatre Royal Drury Lane is located in Covent Garden. It's close to West End theatres including the Fortune Theatre and the Novello Theatre.

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Recommended 7+. Under 16 must be accompanied by an adult (18+) and may not sit on their own. Children under 5 years will not be admitted. Please aim to arrive 60-90 minutes prior to the event. Latecomers will be admitted at a suitable point.

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